Following the comparative success of Vengeance on Varos
by the same writer was one of the more eagerly anticipated stories of Doctor Who's troubled 23rd season though Robert Holmes' final episode (part 1 of the ill-fated Ultimate Foe
) was probably more eagerly anticipated. Watching Mindwarp
one feels that it had the potential to be as good as Vengeance on Varos
but is fatally undermined by both the constricting ongoing story of Trial of a Time Lord
and by a general sense of mild incompetence, mostly on the part of the director though, as with much 1980s Who, there is a fair amount of rather lacklustre acting on display as well.
When I first saw Mindwarp
I recall thinking that Brian Blessed was sadly wasted in his role as Yrcanos. I'd recently seen him in Kenneth Branagh's Henry V
so knew him capable of being, if required, not quite so full on Brian Blessed. Rewatching now, Brian Blessed was definitely one of the best things in Mindwarp
. He's clearly having fun and at least we were smiling whenever he was on the screen.
Frustratingly the ongoing story arc of the Doctor's trial condemns this particular segment to a section where doubts are supposed to be growing about the veracity of the material on display. We are essentially told that all the events unfolding on Thoros Beta are being conveyed to us via an unreliable narrator. The Doctor states that events proceeded broadly as depicted but that the emphasis was different. In the hands of a better director this could probably have been made to work, but as it stands the story is frustratingly confusing: relationships may or may not be as the appear on screen, events may or may not have happened for reasons which may or may not be those stated. I've nothing against unreliable narrators per se, but I think Mindwarp
demonstrates that you need to work hard to pull them off in a way that doesn't make the result look like something of a confusing mess.
The (as far as one can tell largely one-sided) relationship between Yrcanos and Peri is bizarre as well. It must be said that poor Peri was often saddled with the role of random object of affection/lust for some passing character or villain (we were to watch Timelash
next), more so than many companions and I'm sure whole essays could be written on why this particular companion at this particular point in the show's history keeps encountering this trope. In this case though I think we are supposed to believe the feeling is mutual, even though Nicola Bryant conveys nothing more than a kind of indulgent friendly feeling towards Yrcanos. I deduce this because her death at the end of Mindwarp
is retconned (I would say unnecessarily) into marriage to Yrcanos six episodes later (in the novelisation it is even more bizarrely retconned into marriage to Yrcanos who is then transported to Earth by the Time Lords where he embarks upon a successful career as a pro-wrestler with Peri as his manager) and one assumes one is supposed to view this as a happy ending - as opposed to a companion being abandoned and forced by circumstances into marriage. Of course one can handwave the lack of apparent affection by invoking the unreliable narrator, but it is ultimately odd and frustrating.
Beyond that there is a lot of running around and capture-escape in this story, rendered more confusing and apparently pointless by the interruptions of the trial in which the Doctor insists the material is being manipulated. An attempt to portray a planet in which not everyone is white is undermined by the fact that all the non-white characters are slaves or servants and very much secondary to the main cast. Patrick Ryecart as Crozier is working hard to inject some depth into his role but is undermined in part by being a less sympathetic character than the Governor in Vengeance on Varos
and, to be honest, by a decision to depict this world, not with the grimness of Varos, but as a dayglo confection of pink and orange. Sil is reduced more or less to being a comedy henchman. Kiv, Sil's superior is potentially more interesting (and marks the start of Christopher Ryan's career as Doctor Who villains in latex masks) but it seems unnecessary to suddenly sideline a successful character by introducing his superior.
To be honest, despite my complaints, Mindwarp
isn't that bad but one feels it was very nearly good and somehow misses it mostly by just not having a good enough grip on tone and a clear enough idea how to convey the ambiguity over the gap between what we see and what actually happened.
This entry was originally posted at http://purplecat.dreamwidth.org/238809.html